West Side Story
West Side Story is a musical with a book by Arthur Laurents, music by Leonard Bernstein and lyrics by Stephen Sondheim.[1] It was inspired by William Shakespeare’s play Romeo and Juliet.
The story is set in the mid 1950s in the Upper West Side of New York City, a multiracial, blue-collar neighborhood. The musical explores the rivalry between the Jets and the Sharks, two teenage street gangs of different ethnic backgrounds.
The members of the Sharks, from Puerto Rico, are taunted by the Jets, a white gang.[2] The young protagonist, Tony, a former member of the Jets and best friend of the gang’s leader, Riff, falls in love with Maria, the sister of Bernardo, the leader of the Sharks. The dark theme, sophisticated music, extended dance scenes, and focus on social problems marked a turning point in musical theatre. Bernstein’s score for the musical includes “Jet Song”, “Something’s Coming”, “Maria”, “Tonight”, “America”, “Cool”, “One Hand, One Heart”, “I Feel Pretty”, “Somewhere”, “Gee, Officer Krupke” and “A Boy Like That”.
The original 1957 Broadway production, conceived, directed and choreographed by Jerome Robbins and produced by Robert E. Griffith and Harold Prince, marked Sondheim’s Broadway debut. It ran for 732 performances before going on tour. The production was nominated for six Tony Awards including Best Musical in 1958,[3] but the award for Best Musical went to Meredith Willson’s The Music Man; Robbins won the Tony Award for his choreography and Oliver Smith won for his scenic designs.
The show had an even longer-running London production, a number of revivals and international productions. A 1961 musical film adaptation, co-directed by Robert Wise and Robbins, starred Natalie Wood, Richard Beymer, Rita Moreno, George Chakiris and Russ Tamblyn. The film was nominated for eleven Academy Awards and won ten, including George Chakiris for Supporting Actor, Rita Moreno for Supporting Actress, and Best Picture.
In 1947, Jerome Robbins approached Leonard Bernstein and Arthur Laurents about collaborating on a contemporary musical adaptation of Romeo and Juliet. He proposed that the plot focus on the conflict between an Irish Catholic family and a Jewish family living on the Lower East Side of Manhattan,[4] during the Easter–Passover season. The girl has survived the Holocaust and emigrated from Israel; the conflict was to be centered around anti-Semitism of the Catholic “Jets” towards the Jewish “Emeralds” (a name that made its way into the script as a reference).[5] Eager to write his first musical, Laurents immediately agreed.
Bernstein wanted to present the material in operatic form, but Robbins and Laurents resisted the suggestion. They described the project as “lyric theater”, and Laurents wrote a first draft he called East Side Story. Only after he completed it did the group realize it was little more than a musicalization of themes that had already been covered in plays like Abie’s Irish Rose. When Robbins opted to drop out, the three men went their separate ways, and the piece was shelved for almost five years.
